Hello writer bees!
Today, I’m sharing some tips on removing unnecessary characters from the narrative. No, I’m not talking about killing off a character, I’m talking about not giving life to begin with. While you are in the drafting phase, know that some fictional folks don’t always make it into the finished product. And that’s fine. How do you know a character is useless? When do you “kill your darlings”, as they say? Let’s figure that out together, shall we?
My Personal Experience
This dilemma has actually happened to me before. Hopefully, you can learn something from my personal experience as a writer.
A couple months back, I decided to remove one of my suspects from my murder mystery WIP. I thought about it for quite sometime. He wasn’t a poorly constructed character, far from it. However, I realized, the story could survive without him, that his presence wouldn’t be missed if he was gone. And that was a problem. If Also, part of the reason I kept him around was because I wanted five suspects total. Bad idea. Now, I realize four suspects is enough. And perhaps this rejected suspect idea can be reused in another story someday. You never know.
A bit of change had to be done. For consistency sake, scenes needed to be rearranged and edited, plot threads knitted together. Relationships between characters shifted a smidge. An aspect of their nature transferred to another character, adding complexity to their personality. Very quickly, I learned an existing character could do the work of an unnecessary character. Because I removed this suspect, I feel like my story is much stronger without him than with him. I believe like I made the right decision.
Function over Beauty
At the end of the day, every character needs a function. Why is this character in the story? What purpose do they serve? What role do they play? How do they move the plot along? If you can’t answer these simple questions, that’s a real problem. Try to put each character under the microscope and really consider what function they serve in the grand scheme of the story. Then, you can start weeding out the undesirables and letting the true stars of the show shine. And listen, just because one character doesn’t fit one narrative, that doesn’t mean you can’t recycle that character idea in another story. Maybe they’ll be a better fit somewhere else instead. Save ’em for the sequel, I say.
Plot Hole in One
No matter how useless the character, when you do decided to remove them, there will be an empty space. And you don’t want your reader to know or notice a missing piece in the narrative. Think of it like hiding a hole in the wall by putting a picture frame over it, if that makes sense. Be certain all plot holes are covered and tied up any loose threads. That all the relationships and personalities of the existing characters are solid. It might take some rewriting, but don’t be afraid of a little extra drafting. The end result may be even better after these rewrites.
No Tropes Welcomed
Look, frankly speaking, I don’t think “trope-free literature” is a thing. Don’t be surprised if you find a cliché or two in your work. Keep in mind, too many tropes and clichés will drag the narrative down into total boredom. If the character is considered an overused stereotype, they probably fall in the “cut” category. Insist on keeping this extra character? Okay. Trust in your instinct as a writer. Nothing a little reworking can’t fix. Be creative and original and break the mold of a trope. Flush out a character’s personality and motivation, giving their real depth and complexity.
Bottom line, every character needs a function. No one wants dead weight in their story. Really consider what purpose a character holds in your narrative. Weed out unoriginal characters. And if you do decide to remove the character, the changes should make the plot stronger.
Have you ever had to cut a character from your story? Are you considering it? Talk about it in the comments. I’d love to hear from you.
Keep writing and stay safe, writer bees.
— Lady Jabberwocky