A Crash Course in In Media Res – Hook Readers Instantly with this Trick!

Hello Writer Bugs!

Today, I’m sharing with you a writing trick that will hook readers from the first sentence. Yes, you heard right. Grab the audience’s attention instantly with In Media Res. Confused by this Latin phrase? Don’t worry, I’m simplifying this narrative technique. This is the crash course in In Media Res.

Short and Sweet Advice for Writers – Start in the Middle (In ...

What is In Media Res?

Glad you asked! The term In Media Res translates to “In the midst of things.” This means a story hits the ground running and begins in the middle of a scene. Forget about lengthy exposition or flowery description. Start in the middle a conversation or an action sequence. Later on, you can drip feed readers information and backstory through flashbacks and dialogue.

Why does this trick work? Because it piques the audience’s curiosity. And that’s any writer’s goal, to catch the reader’s interest. It makes them feel like they have to catch up with the plot to learn more about the characters and their world. Think Alice chasing after the white rabbit.

No Context? No Bueno.

Yes, there is a wrong way of applying this writing technique. If you start a story too late, and don’t give any bits of context on characters and setting, the audience will be lost and confused. They wont’ keep reading if they have no idea what’s going on.

Be smart about when and where you choose to start the opening scene. You want to hook readers while giving them enough context to keep their attention. A fine line on balance on, I know. However, when you use in media res right, it can turn your story into a page turner.

Stories that Start In Media Res

Want to see this technique in action? Check out some of these attention grabbing titles.


In media res can be a powerful tool in your writer arsenal. And if done right, you’ll have your readers on the edge of their seats.

What are your favorite stories that jump right into the action? And what do you think of this writing technique? Have you used in media res before? Lemme know in the comments. As always, I’d love to hear from you guys.

Stay safe and keep writing!

— Lady Jabberwocky

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3 Tips on Writing the Love Interest

Happy Valentine’s Day, Writer Bees!

Love is in the air, even in fiction. No matter the genre, a love interest can add complexity to both the overall plotline and to other characters.

If your main character is feeling the love, then check out these helpful tips on creating a character’s sweetheart.

Experiment with Chemistry

Love at first sight doesn’t make for an interesting story. Maybe attraction at first sight, sure. For the most part, feelings must develop gradually, not instantly. No matter what stage in the relationship, take the time to build up and explore the couple’s chemistry. A great lover could become an even greater foil for another character. Also, keep in mind the kind of relationships your characters would pursue. What’s their sexual preference? Are they interested in one night stands and flings, or are they looking for a committed relationship? OR are they even looking for love in the first place? These factors will dictate how their romantic relationship lives and breathes over the course of the story.

Writing Flawed Characters

Look, how many hot billionaires with six packs are there in the world? Don’t create a character that is the ideal partner. Give them flaws. Real flaws. Consider physical and personality quirks. Are they short and stubborn? Are they pessimistic with a crooked nose? Be creative but be careful making a completely unlikeable character. Find that balance. A romantic interest shouldn’t just be a cookie cutter person. They must be able to stand on their own, as a complete character. Their entire world cannot revolve around another person. Whether the love interest is a main character or a side character, at the end of the day, readers want complex and relatable characters.

The Big Bad Conflict

No romance is perfect. Every couple has their struggles and challenges. With an internal or external battle, conflict is needed so things aren’t so lovey-dovey. Are there outside forces, such as society, race, war, that are straining their bond? Maybe one is afraid of commitment? Give the couple obstacles that they may or may not overcome together. Set the stakes high to ensure the problem is meaningful enough to the characters. Make this conflict an integral piece of the plot line. That way, the relationship won’t seem forced or out of place.


Bottom line, love isn’t always rainbows and butterflies, and that’s a good thing. Embrace the whirlwind and write a real romance.

What’s your advice on writing love interests? Lemme know in the comments! And Happy Valentine’s day everybody!

Write with Heart,

Lady Jabberwocky

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5 Types of Narrators in Fiction Writing Explained

Hello Writer Bees!

Today, we are going back to basics in story writing. What point of view is best for your WIP? Let’s break down the different types of narrators in a story.

First Person Narrator

Pronouns: I, my, me.

Example: The Narrator from Moby Dick. ” Call me Ishmael.”

First Person is a very personal perspective. A first person narrator tells the story from their point of view. The reader has a front row seat to this character’s thoughts and feelings as they go about their day. This type of narrator can be either a main character or a distant observer. By using the first person narrative, it puts a limit to what the narrator, and the reader, knows and doesn’t know. For example, first person narrators don’t know what is plotted on behind closed doors, hindering their insight.

Second Person Narrator

Pronouns: You, Your.

Example: If I’m remembering correctly, Night Circus by Erin Morgenstern has some chapters using second person that are utterly enchanting.

A Second Person Narrator talks directly to the audience, enveloping the reader into the story itself. Think of it like playing a choose your own adventure game, where the reader is a character. “You do this, you see that.” This one is quite rare in fiction; It’s more for technical writing. It’s difficult to perfect, but not impossible, so don’t be discouraged to experiment with this style. This narrating style makes you feel like you are part of this fictional world.

Third Person Narrator (Limited)

Pronouns: He, she, they.

Third person narration gives the writer more freedom to move around, follow multiple characters and explore multiple rooms of the house, so to speak. Usually, the third person narrator isn’t an actual character at all. It’s a more objective viewpoint. Keep in mind, this may lead to a lack of connection with the reader. The audience is privy to more information about the plot, information the main characters may not even be aware of, but not the characters personal thoughts and feelings.

Omniscient Narrator

Usually third person. Uses ‘he, she, they’ pronouns.

With this one, the narrator knows everything, from feelings to inner thoughts. Imagine an all knowing, all seeing God-like being, looking down at the world. They have no stake in the story, they simply retell the story to the reader. Omniscient narrators know everything, from plot events to character’s motives to unspoken thoughts. Some would argue that it’s the author themselves, telling the story. I’ll let you be the judge.

Unreliable Narrator

Usually first person, usually undependable.

Some narrators just can’t be trusted, can they? The viewpoint of this narrator is very biased, clouded by their own -possibly flawed – judgement. Other characters in the story may not be described accurately because of the narrator’s own perception. Certain events can be skewed. Even the narrator himself could be not what he appears to be

Example: Check out the narrator from The Murder of Roger Ackroyd by Agatha Christie. He may know more about the murder than he is letting on. Hint Hint.

Choose Your Narrator Wisely

Really take the time to think about whom the narrator will be and how well they can tell your/their story. It’s important for the reader to really connect and be engaged with the character or viewpoint chosen. Think of it like this, the narrator is the reader’s vehicle as they ride the rollercoaster that is your story.

If you are struggling to decide which narrative you want to use, try multiple styles. No harm in experimenting. It’s like reading an essay for school out loud before handing it in. You’ll know what fits your story best when you read it.


How did you decide the narrator for your story or WIP? What is your favorite kind of narrator to read? Talk to me in the comments.

Write with Heart,

Lady Jabberwocky

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5 Subgenres of Fantasy Fiction Explained

(Happy holidays everyone! I’m currently on break now, but please enjoy this repost. See you all in 2023! – Love, Victoria aka Lady Jabberwocky)

Hello Writer Bees!

One of my favorite genres to write and read is fantasy. And the fantasy stories come in a variety of different flavors. Today, I’m breaking down 5 subgenres of fantasy fiction. Grab your wizard hats and let’s dive in, shall we?

Fairy Tales

In my opinion, fairy tales were the cornerstone of fantasy. Folktales full of pixies and mermaids, trickery and wonder. Characters are fanciful as the world around them, from the lost royal to the walking-talking cat. We see you, Puss in Boots. Keep in mind, the general readers of fairy tales are children. That being said, the overall tone is usually kept light and entertaining. At the end of the tale, there is always a moral lesson to be learned. And they all lived happily ever after.

High Fantasy

Also known as epic fantasy, this subgenre lives up to the name. Dungeons and Dragons players and Lord of the Rings fans know this fantasy subgenre too well. With medieval fantasy vibes galore, there’s the ever-classic battle between good versus evil present in these stories. Often times, the plot centers around one hero, who starts off weak but overtime, grows into a mighty warrior. They’ll embark on their quests and explore the world, maybe meeting other races like elves and ogres. In Epic Fantasy, the cast of characters can get quite extensive, so keep character notes handy when writing.

Urban Fantasy

Forget the sparkly forests and towering castles of fairy tales, this fantasy subgenres takes magical elements and throws them into a modern cityscape. Full of grit and noir vibes, the story always takes place in a major city, with bustling streets. Typically, the main character is connected to both the real world and the magical world. And almost any mythical creature can call the city home. Maybe there’s a shapeshifter riding the subway, or a werewolf in the alleyway. Heck, I’d argue that superheroes fall under this fantasy subgenre too. Truly, the possibilities are endless.

Gothic Fantasy

Sometimes referred to as Dark Fantasy, this subgenre is the mix of supernatural and horror elements. Noted for its gloomy, brooding atmosphere, the setting evokes fear and anxiety in its readers. Building up suspense is crucial to constructing the spooky environment. In Gothic Fantasy, ghosts from the pasts haunt the characters, never giving them a night’s rest. This fantasy subgenre is more focused on supernatural elements, like specters, vampires and Frankenstein’s monster. If you’re looking for a good scare, Gothic Fantasy might be the subgenre for you.

Low Fantasy

Similar to urban fantasy, magical events invade on an otherwise ordinary world. In this fantasy subgenre, the supernatural does not exist or isn’t well known in society. When something magical does occur, it’s accepted as natural in the world, like it could happen any day. Disney films like Mary Poppins fit this bill perfectly. This fantasy subgenre proves you don’t need an epic dragon battle to have a good fantasy story. Sometimes all you need is a little sprinkle of whimsy in everyday life.


Interested in learning more about subgenres in fiction? Check out these posts!

What are some of your favorite and least favorite subgenres of fantasy? Talk to me in the comments.

Write with heart.

Love,

Lady Jabberwocky

Follow Me on Twitter

5 Subgenres of Romance Fiction Explained

(Happy holidays everyone! I’m currently on break right now, but please enjoy this repost. See you all in 2023! – Love, Victoria aka Lady Jabberwocky)

Hello Writer Bees, 

With Valentine’s Day only a few days away, let’s talk about the lovely subgenres of Romance Fiction.

Historical Romance

Rev up that time machine and travel back in time with a Historical Romance. As the name suggests, this love story takes place in the past, usually before 1950. Historical periods such as the Victorian era, Medieval Times, or the Roaring 1920s are examples of possible setting used in this romance subgenre. No matter the year, the time and place of a plot may impact a couple’s relationship. Rules of courtship and class can apply to characters and their relationships. When writing a historical romance, historical accuracy and research is crucial. Describing and understanding the clothing and culture of a time long ago will bring a certain era to life for your audience.

Paranormal Romance

Twilight

Love can be magical. And in a paranormal romance, it really is! In this romance subgenre, elements of fantasy, paranormal or sci-fi are at the core of the plot. Not necessarily restricted to magical creatures only, a Paranormal Romance could include any non-human creature, from ghosts, to fairies, to the ever-irresistible vampire. That being said, there’s an opportunity here to explore a human x non-human relationship, or a couple from different magical backgrounds. Truly, the possibilities are endless. Incorporating fantasy elements in a love story requires solid worldbuilding. If magic is real in that world, create a magic system and know who can use magic and how. If the story involves a non-human creature, what specific characteristics apply to that race?

Contemporary Romance

If you’re looking for a modern day happily ever after, perhaps a contemporary romance is more your speed. This romance subgenre focuses on current conventions and topics, for a more modern approach. Subject matter may include online dating, LGBTQ storylines and workplace romance. Main characters don’t fit the mold and may not live up to what’s considered attractive by society. Often times, the heroine is an independent woman with a career. This romance subgenre encompasses all shapes, sizes, colors and sexualities. When writing in this romance subgenre, remember that love isn’t perfect. Create characters with flaws and challenges and place them in realistic dating situations.

Erotic Romance

Fans Self GIFs | Tenor

Things can get steamy quickly in this romance subgenre. Erotic Romance centers around explicit, sexual interactions between lovers. It’s not total smut, but let’s just say vividly detailed sex is a major component of the plot. Relationships grow and develop through scenes of physical intimacy and intense chemistry. Often, characters are cliché and unrealistic, examples being a curvaceous cutie or six-packed hunk. If I’m honest, this is not my favorite genre. However, if I had to give a piece of writing advice, it’d be to focus on the character’s physicality, the way they move and how they interact with others. During intimate moments – not just sex scenes – be mindful of how body language is written. Readers want to feel swept away, and maybe a little turned on, when they read this kind of story.

Romantic Suspense 

Romance plus adventure equals an exciting romance subgenre. Romance suspense involves action, suspense and intrigue as the couple tackles situations like a murder mystery or criminal plot. In some stories, there is a threat on one person’s life and the other must act as protector. Or perhaps they protect each other. Characters that play well in this romance subgenre can be detectives, superheroes, members of law enforcement or even femme fatales. Regardless, in the end, the heroes form a strong romantic relationship, hopefully leading to a happily ever after or grand finale kiss. Whether there’s a mystery to solve, a villain to defeat, or a race against the clock. Romantic Suspense can be thrilling story for many readers.


Like this post? Then check out the 5 Subgenres of Mystery Fiction Explained.

What’s your favorite romance subgenre? Talk to me in the comments.

Stay safe and stay creative.

Write with heart,

Lady Jabberwocky

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The 5 Subgenres of Horror Fiction Explained

(Happy holidays everyone! I’m currently on break right now, but please enjoy this repost. See you all in 2023! – Love, Victoria aka Lady Jabberwocky)

Hello Writer Bugs!

Since we are officially in spooky season, I wanted to dedicate a couple posts this month to horror writing. Horror fiction is intended to frighten the audience senseless. A lot of people love a good scare. As a genre, horror can come in a variety of shades of darkness. Today, I’m breaking down the most notable subgenres of horror fiction.


Gothic

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The gothic horror subgenre is a healthy mix of horror, mystery, death and a little romance. And some would say it’s the true beginning of horror fiction and the jumping off point for other horror subgenres that developed over time. The macabre takes takes center stage in this type of story. Setting plays a key role in gothic horror. The atmosphere must be dark and moody, usually taking place in a castle, religious abbey or haunting estate. The theme of death and love are prevalent in the plot. It’s a dreary, decaying world full of ominous omens and unexplainable events.

Example: The Strange Case of Dr.Jekyll and Mr.Hyde by Robert Louis Stevenson

Monster

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Let’s do the monster mash. A true classic in horror genre. Typically, the plot centers around a character(s) encountering a creature. Creatures of the night are either the result of scientific experiments, born from fantastical means, or simply urban legends come alive. Iconic monsters including – but not limited to – werewolves, vampires, mummies, zombies etc. An argument could be made the even gigantic monsters like Godzilla would be included in this horror subgenre. Sometimes in the narrative, there are underlying themes of duality, an internal conflict between good and evil. It’s an interesting battle to explore within characters. Is the monster really a monster at all?

Example: Dracula by Bram Stoker

Paranormal

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In the paranormal subgenre, it’s all about the fear of the unknown. Evil spirits, wicked witches and demonic entities wreck havoc and chaos in the lives of mere mortals. Ghosts, demons and haunted houses tend to fall under this category. Exorcisms – whether the holy kind or the high-tech ghostbuster kind – occur in paranormal horror. Similar to the Monster horror subgenre, antagonists can have supernatural abilities and there’s usually a struggle between good and evil. However, paranormal creatures are derived from mythical, other-worldly origins. And let’s be honest, the things that go bump in the night are often what scares us the most.

Example: The Haunting of Hill House by Shirley Jackson

Killer

A killer is on the loose! For this horror subgenre, the story focuses on a central killer. The main antagonist can be a supernatural entity or a natural born psycho. Whatever their reason, the killer’s sole mission is to annihilate anyone and everyone they deem a target. With elements of a thriller and/or crime plotline blended in, building suspense is crucial in this kind of story. You want the reader to feel like the killer is breathing down their necks and lurking around every corner. Will the killer be brought to justice in the end? That’s entirely up to the writer. In horror, no one is promised a happy ending.

Example: American Psycho by Bret Easton Ellis

Psychological

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Send readers into a living nightmare. Throw rationality out the door and turn the mundane into something terrifying. Characters in psychological horror have either fallen into madness or are trapped in extraordinary situations. Surreal imagery or bizarre visions experienced by the protagonist only add to the insanity. For this horror subgenre, the narrative would benefit from a tight viewpoint, not a multi-narrator piece. A single character’s internal conflict can be just as compelling than an external conflict, if written well. Phobias, paranoia and one’s deepest fears are explored in this type of plot. In psychological horror, there’s not overarching monster or antagonist, the real monster is the human mind itself.

Example: The Shining by Stephen King


Personally, I’m not a fan of excessive gore. However, as a mystery writer, I sometimes must describe a corpse or a crime scene, for the sake of the fictional investigation. A little bit of horror can go a long way in any genre.

What’s your favorite subgenre of horror fiction? And if you are a horror writer yourself, how would you categorize your story? Talk to me in the comments. As always, I love hearing from you.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

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The 5 Subgenres in Mystery Fiction Explained

(Happy holidays everyone! I’m currently on break right now, but please enjoy this repost. See you all in 2023! – Love, Victoria aka Lady Jabberwocky)

Hello amateur sleuths,

The mystery genre is like ice cream.

Exciting. Delicious. And they both come in a variety of flavors.

Today, I’m breaking down some subgenres of mystery. Since some of these subcategories overlap with one another, I will try to focus on the 5 most notable subgenres in detective fiction.

Classic

A straight vanilla mystery right here. Everyone loves and respects a good classic done right, right? This has your traditional storyline where the investigator – who can either be a professional or a novice – solves a whodunit. A large chunk of the plot is centered around an inspector gathering clues and interacting with suspects. Depending on the sleuth and the target audience, the level of gore may vary. However, traditional mysteries tend to involve murder. In the end, the culprit is reveal and all loose strings are neatly tied in a bow. Sherlock Holmes, Hercule Poirot, Nancy Drew are the prime examples of this mystery subgenre.

Nancy Drew GIFs | Tenor

Cozy

Looking for violence and sex and foul language? This is not the mystery subgenre for you. A cozy mystery is the kind of story you want to unwind with while wearing fuzzy socks. The tone is much lighter, and can even be considered wholesome and humorous. Book titles are pun-filled and corny. The crime is described in a less gruesome way. Typically, the sleuth is an amateur detective, nosy neighbor, or a knitter with some free time on their hands. Solving a mystery is like a fun hobby or satisfies their idle curiosity. These kinds of mysteries often include a fluffy companion, like a loyal canine or finicky feline. For a cozy mystery, solving the crime is all in good fun.

Old lady knitting gif 1 » GIF Images Download

Noir

Opposite of a cozy mystery. In noir fiction, like it’s film counterpart, the atmosphere is dark and gritty. The world is a cynical and hopeless place. Shadowy street corners. Femme Fatales a lighting cigarette. Hard-boiled detectives are flawed anti-heroes with ambiguous morals. Those are the common traits of noir. When it comes to what’s right and what’s wrong, the lines are blurry. Noir endings can often be open ended and open to interpretation. Is justice served? Is the detective a hero? All valid questions in noir.

She Devoured Men The Way She Devoured Cigarettes | Movie stars, Bogart and  bacall, Humphrey bogart

Police Procedural/Forensic

For readers who enjoy those CSI shows, this subgenre is for you. For this subgenre, the main focus is police investigation. And it’s as accurate to real life as possible. Think unsolved crime documentary. Usually, the main character’s occupation is in law enforcement, in some way. Whether that be a cop or a forensic scientist or a coroner. In this subgenre, a lot of time and detail is devoted to the forensic science side of a case. Autopsy reports, crime scenes and dead bodies are described in almost too vivid detail. Not exactly for the faint of heart. But hey, reading a story like this, you may actually learn something about police procedure in a realistic case.

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Supernatural

Need some spooky Halloween vibes? This mystery subgenre is centered around the paranormal, investigating things that go bump in the night. In a supernatural mystery, the story designed to startle and thrill readers, dipping its toe in fantasy and horror genres. Elements of the unknown, ghosts and mystical are mixed into the narrative. Haunted houses and misty graveyards would make an excellent setting, I’m sure. The supernatural mystery is a puzzle – for both the reader and the detective. Explaining the unexplainable is the main goal of the investigator. When the story concludes, there’s usually a logical explanation for the paranormal disturbances.

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What is your favorite mystery subgenre? And if you are writing/have written a mystery story, what subgenre would you categorize it under? Or what is your favorite mystery subgenre to read? Talk to me in the comments. I love to hear from you guys.

Hope you all are enjoying May of Mystery so far. If you have any ideas for future mystery posts, let me know!

Safe safe and keep writing!

Write with heart,

Lady Jabberwocky

The Ultimate NaNoWriMo Survival Guide (Repost)

(Reposting for NaNoWriMo! Best of luck to everyone participating! And if you are curious about my November/December posting plans, read here! – Lady Jabberwocky)

Hello Writer Bees,

Signing up for NaNoWriMo this year? You’re going to need all the help you can get.

This guide will help you survive National Novel Writing Month.

Find the Time 

To reach 50,000 words goal, you’ll need to write about 1,667 words a day. Come up with a plan, find the best time for you to write.  Make that time commitment. Schedule what part of your novel you will work on each day. Decide whether you are a day or night writer. Create a routine and stick to it as best you can. And don’t beat yourself up if you miss a day, it’ll happen to everyone.

Set Up Your Writing Space

Establish your writing space. A place to be organized and creative. A place where you can focus and write and hopefully not be disturbed. Dedicate a work area, with all your research and inspiration materials nearby. Make sure you have all your needed resources close at hand. Whether it’s at home, at the public library, or at the local coffee shop, find your cozy corner of the world.

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Keep Resources Close

This coincides with creating a great work space. Notes, historical sources, journals, character profiles, outlines. Everything.  Keep all research material organized and in reach, in case you need a reference.  Use time in October to gather information and prepare for the writing ahead. Because I’m writing a story set in a specific time period (1920s), I have bookmarked a couple of historical resources, just in case. I also have a book of photos of Brooklyn in the 1920s that I like to glance through for inspiration.

Writers Require Nourishment

Be prepared with all the snacks and beverages you’ll need to get through a month of writing. I’m talking leftover Halloween candy. I’m talking caffeine, and lots of it. I’m talking the comfort food that makes your heart happy. Also, I’ve heard some even meal prep ahead of time. IF you have time, consider prepping meals in advance and leaving them in the freezer. Look, some would suggest eating healthy, and while that is true, sometimes, you need a bag of salty potato chips. And no one will judge you for devouring the entire bag.

Goals and Rewards

Set smaller goals for yourself. 10k, 20k, 30k, etc. And when you reach them, reward yourself. Whether its with your favorite movie or favorite meal, celebrate those little milestones. During National Novel Writing Month, every word counts. So, treat yourself and do something special for you once you reach a certain word count. Whatever makes you happy and relaxed, do that. This will keep you motivated and encourage you to keep going.

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Outline

Whether you are a planner or a pantser, have a general idea for a story. Develop your characters. Establish some kind of plot line, even if its a vague idea. Note the key scenes of the plot. It’s important to have an outline. And remember, use the method that feels right to you. Every writer has their own way of planning a story. Do what works for you.

Have a Support System

We all need someone in our corner, supporting us. Find some writing buddies. Consider attending write-ins and writing events. Find the people in your life you trust, who you can talk openly to. A significant other, a friend, a teacher, a classmate. Have someone to express your worry or doubt or just iron out ideas with. Someone to cheer you on through the absolutely ridiculous journey that is NaNoWriMo.

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Surround yourself with other writers.


What’s a necessity in your NaNoWriMo survival kit? Let me know in the comments!

Write with Heart,

Lady Jabberwocky

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The Secret Behind Writing Meaningful Character Deaths

Hello Writer Bees!

Hope you all are doing well and staying creative.

With spooky season right around the corner, and with that recent episode of critical role, I’ve been thinking about character deaths lately. Morbid, I know. But realistically, not every character makes it to the end of the story alive. So today, let’s talk about the key to writing meaningful death scene.

For the Story

In fiction, death must serve a purpose, whether to the overall plot or to the characters themselves.

A single character’s death could be used as a major catalyst in the events of a story and the lives of other characters. In terms of the narrative, character death can raise the stakes. It’s a wakeup call to both the cast and the audience that lives are at stake. That not every character may survive in the end. By raising the stake in this way, the underlying tension and suspense will grow, and readers will be hanging on the edge of their seats.

Apart from building suspense, a character’s death can also add to the atmosphere and exposition. A death scene can set the mood for the story, in practically any genre. Remember the writing rule, ‘Show, Don’t Tell‘, and save yourself from writing an info-dump. If the fictional world is plagued with war or a virus, then bodies hitting the ground is an effective, and incredibly terrifying, image. Use a character’s death as a tool for creating the mood of a setting.

For the Characters

For other characters specifically, another character’s death can change how they go forward in their lives. Characters should be written like real life people. Death often comes will a strong emotional response.. When someone dies, it can change one’s outlook or view on their world, other people or ever themselves. For better or for worse. It can alter the course of their future actions.

However, be careful using this as a plot device as it can lean towards cliché. Often times, killing one to motivate another can feel like an overused or stale occurrence. Think about it. How many movies involve the main character’s love interest dying and as a result, the hero rises and is motivated to avenge their lover? And unfortunately, because of this, women are sometimes written off as expendable and not as fully developed characters. Big no-no, writer bees.

Final Thoughts

Next time you think about killing your darlings, take a minute and consider this. What purpose does this character’s death serve? How with this impact the story and other characters? Really considering the why can be a game changer in your writing.


How do you go about writing a character’s death scene? What character in fiction crushed you when they died? Talk to me in the comments!

Write with heart.

Love,

Lady Jabberwocky.

5 Subgenres of Fantasy Fiction Explained

Hello Writer Bees!

One of my favorite genres to write and read is fantasy. And the fantasy stories come in a variety of different flavors. Today, I’m breaking down 5 subgenres of fantasy fiction. Grab your wizard hats and let’s dive in, shall we?

Fairy Tales

In my opinion, fairy tales were the cornerstone of fantasy. Folktales full of pixies and mermaids, trickery and wonder. Characters are fanciful as the world around them, from the lost royal to the walking-talking cat. We see you, Puss in Boots. Keep in mind, the general readers of fairy tales are children. That being said, the overall tone is usually kept light and entertaining. At the end of the tale, there is always a moral lesson to be learned. And they all lived happily ever after.

High Fantasy

Also known as epic fantasy, this subgenre lives up to the name. Dungeons and Dragons players and Lord of the Rings fans know this fantasy subgenre too well. With medieval fantasy vibes galore, there’s the ever-classic battle between good versus evil present in these stories. Often times, the plot centers around one hero, who starts off weak but overtime, grows into a mighty warrior. They’ll embark on their quests and explore the world, maybe meeting other races like elves and ogres. In Epic Fantasy, the cast of characters can get quite extensive, so keep character notes handy when writing.

Urban Fantasy

Forget the sparkly forests and towering castles of fairy tales, this fantasy subgenres takes magical elements and throws them into a modern cityscape. Full of grit and noir vibes, the story always takes place in a major city, with bustling streets. Typically, the main character is connected to both the real world and the magical world. And almost any mythical creature can call the city home. Maybe there’s a shapeshifter riding the subway, or a werewolf in the alleyway. Heck, I’d argue that superheroes fall under this fantasy subgenre too. Truly, the possibilities are endless.

Gothic Fantasy

Sometimes referred to as Dark Fantasy, this subgenre is the mix of supernatural and horror elements. Noted for its gloomy, brooding atmosphere, the setting evokes fear and anxiety in its readers. Building up suspense is crucial to constructing the spooky environment. In Gothic Fantasy, ghosts from the pasts haunt the characters, never giving them a night’s rest. This fantasy subgenre is more focused on supernatural elements, like specters, vampires and Frankenstein’s monster. If you’re looking for a good scare, Gothic Fantasy might be the subgenre for you.

Low Fantasy

Similar to urban fantasy, magical events invade on an otherwise ordinary world. In this fantasy subgenre, the supernatural does not exist or isn’t well known in society. When something magical does occur, it’s accepted as natural in the world, like it could happen any day. Disney films like Mary Poppins fit this bill perfectly. This fantasy subgenre proves you don’t need an epic dragon battle to have a good fantasy story. Sometimes all you need is a little sprinkle of whimsy in everyday life.


Interested in learning more about subgenres in fiction? Check out these posts!

What are some of your favorite and least favorite subgenres of fantasy? Talk to me in the comments.

Write with heart.

Love,

Lady Jabberwocky

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