How Specters Visit (100 Word Ghost Story)

“So, what did it feel like?” She asked, curious. A spread takeout boxes between them.

He struggled with holding chopsticks and feeding himself. “It’s hard to explain.”

“Well, try!” she huffed. “I’m dying of curiosity here.”

He hummed, hands juggling to find the right words. “You ever pull on a sweater that’s too big and get lost in all the fabric? That’s how it felt.”

“Seriously?” She slurped some noodles. “I’ve heard about spirit possession on those ghost hunting shows and always wondered….”

Eyes glowing, the ghost shrugged their human vessel’s shoulders. “It’s an out-of-body experience. No pun intended.”


Stay safe and stay creative, writer bees!

Love,

Lady Jabberwocky

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The 5 Subgenres of Horror Fiction Explained

(Happy holidays everyone! I’m currently on break right now, but please enjoy this repost. See you all in 2023! – Love, Victoria aka Lady Jabberwocky)

Hello Writer Bugs!

Since we are officially in spooky season, I wanted to dedicate a couple posts this month to horror writing. Horror fiction is intended to frighten the audience senseless. A lot of people love a good scare. As a genre, horror can come in a variety of shades of darkness. Today, I’m breaking down the most notable subgenres of horror fiction.


Gothic

See the source image

The gothic horror subgenre is a healthy mix of horror, mystery, death and a little romance. And some would say it’s the true beginning of horror fiction and the jumping off point for other horror subgenres that developed over time. The macabre takes takes center stage in this type of story. Setting plays a key role in gothic horror. The atmosphere must be dark and moody, usually taking place in a castle, religious abbey or haunting estate. The theme of death and love are prevalent in the plot. It’s a dreary, decaying world full of ominous omens and unexplainable events.

Example: The Strange Case of Dr.Jekyll and Mr.Hyde by Robert Louis Stevenson

Monster

See the source image

Let’s do the monster mash. A true classic in horror genre. Typically, the plot centers around a character(s) encountering a creature. Creatures of the night are either the result of scientific experiments, born from fantastical means, or simply urban legends come alive. Iconic monsters including – but not limited to – werewolves, vampires, mummies, zombies etc. An argument could be made the even gigantic monsters like Godzilla would be included in this horror subgenre. Sometimes in the narrative, there are underlying themes of duality, an internal conflict between good and evil. It’s an interesting battle to explore within characters. Is the monster really a monster at all?

Example: Dracula by Bram Stoker

Paranormal

See the source image

In the paranormal subgenre, it’s all about the fear of the unknown. Evil spirits, wicked witches and demonic entities wreck havoc and chaos in the lives of mere mortals. Ghosts, demons and haunted houses tend to fall under this category. Exorcisms – whether the holy kind or the high-tech ghostbuster kind – occur in paranormal horror. Similar to the Monster horror subgenre, antagonists can have supernatural abilities and there’s usually a struggle between good and evil. However, paranormal creatures are derived from mythical, other-worldly origins. And let’s be honest, the things that go bump in the night are often what scares us the most.

Example: The Haunting of Hill House by Shirley Jackson

Killer

A killer is on the loose! For this horror subgenre, the story focuses on a central killer. The main antagonist can be a supernatural entity or a natural born psycho. Whatever their reason, the killer’s sole mission is to annihilate anyone and everyone they deem a target. With elements of a thriller and/or crime plotline blended in, building suspense is crucial in this kind of story. You want the reader to feel like the killer is breathing down their necks and lurking around every corner. Will the killer be brought to justice in the end? That’s entirely up to the writer. In horror, no one is promised a happy ending.

Example: American Psycho by Bret Easton Ellis

Psychological

See the source image

Send readers into a living nightmare. Throw rationality out the door and turn the mundane into something terrifying. Characters in psychological horror have either fallen into madness or are trapped in extraordinary situations. Surreal imagery or bizarre visions experienced by the protagonist only add to the insanity. For this horror subgenre, the narrative would benefit from a tight viewpoint, not a multi-narrator piece. A single character’s internal conflict can be just as compelling than an external conflict, if written well. Phobias, paranoia and one’s deepest fears are explored in this type of plot. In psychological horror, there’s not overarching monster or antagonist, the real monster is the human mind itself.

Example: The Shining by Stephen King


Personally, I’m not a fan of excessive gore. However, as a mystery writer, I sometimes must describe a corpse or a crime scene, for the sake of the fictional investigation. A little bit of horror can go a long way in any genre.

What’s your favorite subgenre of horror fiction? And if you are a horror writer yourself, how would you categorize your story? Talk to me in the comments. As always, I love hearing from you.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

Follow Me on Twitter

(As an Amazon Associate I earn from qualifying purchases.)

3 Terrifying Tips on Scaring Your Readers (Repost)

Hello Writer Bugs!

In any kind of fictional story, a little bit of terror can go a long way. But how do you strike fear in the hearts of your readers? Have no fear, I’m here to help! Here are three tips on how to scare your audience senseless.


Setting the Mood

A spooky setting can be a total game changer in a horror story. With this literary element, details are key. Paint a horrifying picture for the audience. No, that does not mean you need copious amounts of blood and guts spilled everywhere. Even the most ordinary places can be transformed into a scary environment. Build an atmosphere that unsettles readers, that only enhances the fear factor of the antagonist. Consider what the weather would be like, or how a room is furnished, or the architecture of a building. Once you provided them with vivid descriptions, let the audience’s imagination handle the rest. Not sure where to start in descriptions? When it doubt, the “it was a dark and stormy night” trick never fails in fiction.

Solid Characters

In horror – or in any genre, really- you can’t skimp on the characters. The audience isn’t going to care about a damsel-in-distress, Mary Sue who happens to tumble into a haunted basement. And if readers don’t care, they won’t keep reading. And they won’t be afraid when that character is put in danger. Simple as that. However, they might care more about a child running around a creepy hotel. Create complex characters and give them real struggles, flaws and life problems that the audience can identify with. The goal is to make readers care and want to protect the main character. To make them feel like they could be standing in that character’s shoes, facing the same horrors. To have them biting their nails until the very end, just to make sure the character survives the ordeal.

Pacing Makes Perfect

Specific phrasing or wording can enhance the scary factor in horror fiction. When you have longer sentences, it slows down the action, thereby torturing readers with the suspense. On the other hand, quick and short sentences can keep readers on their toes and get their hearts racing. Those fast, up-tempo phrasing works best when a character is running away from the monster or is internally spiraling into panic and confusion. If the scene doesn’t feel quite right, try switching up the pacing. This one element can change the entire vibe of a scene.

Last week, I experimented in writing horror. I noticed that using short sentences added to the claustrophobic feeling. I almost made myself panic as I was writing the story. And if it scares the writer, it will most definitely scare the reader.


To my fellow writers out there, how do you go about scaring your audience? Also, with Halloween around the corner, what are you dressing up as for Halloween? Talk to me in the comments.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

The Graveyard Shift (100 Word Spooky Story)

“G’Evening, Miss Lorelei.”

Tipping his flat cap in her direction, he pushes the wheelbarrow along the dirt path. The moon is full and bright.

“G’Evening Mister George, George Junior.” Regarding father and son with a bow of his head, his mud caked boots trudges forward. Thick fog blankets the graveyard.

“G’Evening Miss Ramona.” Next to her, he finds an empty plot and grabs a shovel.

Alone in the cemetery, the gravedigger whistles a tune as he digs. Tree branches full of orange leaves bristle. A woman’s delicate voice carries on the wind.

“Good evening, Jim. How’s life been treating you?”


Based on this week’s prompt of the week!

Write with heart.

Love,

Lady Jabberwocky

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What Inspired My Short Stories (Part Three)

Hey Writer Bees!

You guys seem to really like when I talk about the inspiration behind some of my stories. And I love hearing what inspires all of you in your creative works. So today, I’m coming at you with part three.

If you are curious, be sure to check out PART ONE and PART TWO of this series.

Scrunchies and School Bells

When I wrote this short story, many were heading back to school. I’m a 90’s kid who loves nostalgia and at the time, I was watching the Saban Moon documentary. I found myself in the mood to write something lighthearted and silly, packed with nostalgic reverences. And maybe a bit of cringey, relatable vibes too. Because let’s face it, we were all losers in school. Creating a character who was unapologetically themselves was refreshing. Also, it was good practice for me as writer to focus on describing a character’s appearance. How a character presents themselves says a lot about them. In short, wacky 90s vibes inspired this short story.

Pixies and Paperwork

Don’t get me wrong, I’m grateful for my current cubicle job. It’s helping my partner and I save up for future plans, and I write during breaks. However, there are days when work is stressful and soul sucking. I’m sure a lot of other people out there feel the same way, no matter their career. When I wrote this piece, I was feeling down. And like I did with Sunny Day Towing Company story, I wrote out those gloomy feelings. I wanted to cheer up not only myself, but others who may feel the same as I do. To bring a little light and a little positivity into someone’s day.

The Cinnamon Witch

By far, one of my favorite short stories I’ve ever posted on the blog. And just in time for spooky season too! For me, I enjoy writing in low fantasy worlds. Stories like Gravity Falls and Kiki’s Delivery Service have always appealed to me. Taking a single detail of a story and twisting it around is super fun and keeps readers on their toes, that’s for sure. Experimenting in a genre I don’t normally write in, like horror, is good for the creative muscles. For example, in this piece, I considered what if those ingredients aren’t exactly sugary sweet and come from a horrifying source? From that question came came this short story.


Is there a story behind your stories? What has inspired your creative endeavors? Talk to me in the comments.

Write with heart.

Love,

Lady Jabberwocky

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The Secret Behind Writing Meaningful Character Deaths

Hello Writer Bees!

Hope you all are doing well and staying creative.

With spooky season right around the corner, and with that recent episode of critical role, I’ve been thinking about character deaths lately. Morbid, I know. But realistically, not every character makes it to the end of the story alive. So today, let’s talk about the key to writing meaningful death scene.

For the Story

In fiction, death must serve a purpose, whether to the overall plot or to the characters themselves.

A single character’s death could be used as a major catalyst in the events of a story and the lives of other characters. In terms of the narrative, character death can raise the stakes. It’s a wakeup call to both the cast and the audience that lives are at stake. That not every character may survive in the end. By raising the stake in this way, the underlying tension and suspense will grow, and readers will be hanging on the edge of their seats.

Apart from building suspense, a character’s death can also add to the atmosphere and exposition. A death scene can set the mood for the story, in practically any genre. Remember the writing rule, ‘Show, Don’t Tell‘, and save yourself from writing an info-dump. If the fictional world is plagued with war or a virus, then bodies hitting the ground is an effective, and incredibly terrifying, image. Use a character’s death as a tool for creating the mood of a setting.

For the Characters

For other characters specifically, another character’s death can change how they go forward in their lives. Characters should be written like real life people. Death often comes will a strong emotional response.. When someone dies, it can change one’s outlook or view on their world, other people or ever themselves. For better or for worse. It can alter the course of their future actions.

However, be careful using this as a plot device as it can lean towards cliché. Often times, killing one to motivate another can feel like an overused or stale occurrence. Think about it. How many movies involve the main character’s love interest dying and as a result, the hero rises and is motivated to avenge their lover? And unfortunately, because of this, women are sometimes written off as expendable and not as fully developed characters. Big no-no, writer bees.

Final Thoughts

Next time you think about killing your darlings, take a minute and consider this. What purpose does this character’s death serve? How with this impact the story and other characters? Really considering the why can be a game changer in your writing.


How do you go about writing a character’s death scene? What character in fiction crushed you when they died? Talk to me in the comments!

Write with heart.

Love,

Lady Jabberwocky.

Born a Bloodhound (Detective Mystery Flash Fiction)

Hello Super Sleuths,

This work on fiction is based on last week’s post, the 5 archetypes of fictional detectives. Enjoy!


In every lifetime, I’d been born a bloodhound.

The city was a graveyard, grey and cold and deadly silent. It was near midnight. On a lonely street corner by the museum, I stood there in the pouring rain. Fedora and trench coat drenched. Smoke rose from the sewer grate.

She stood beside me, a viper in heels. Eyelashes sharp like butcher knives.

“Finn, darling,” Her hands slip inside my coat, warm as a shot of ice cold whiskey. She whispered into my ear. “Let’s forget about this little museum jewel heist. The robbers are probably long gone by now,” The minx kissed me, full and feverish. Lips were red like a stop sign. “Couldn’t we just run off together instead? It’d be so easy.” Easy, she says. Easy like a bullet to the head.

I lit a cigarette and eyed the moon. “A dame like you is going to be in a world of trouble someday.” She snickered, her fingers inched towards the gun holstered on my hip. I snatched her wrist. “Quit playing games and fess up already. I know about your little scheme. Now, you want to tell me where that million-dollar diamond is? Or do I have to search you myself?”

Eyebrow raised, she offered a wide wolfish grin, full of teeth and poison. “Please do, inspector.”
———————————————————————————————————–

Every incarnation, there is a trail I’m bound to follow.

That sunny summer morning on Cherry Blossom Lane, I sat cozy in my armchair. On the coffee table, there’s a tray of tea and oatmeal cookies. The rain would arrive later, my bones could sense it. 

“Miss Finnegan, are you feeling alright?” The aid, Gloria, handed me a porcelain teacup embellished with golden roses. Accepting the cup, I nodded with a smile. Looking out the window once more, I watched the new neighbors shuffle cardboard boxes. Lady Whiskerdown, my faithful companion, leapt into my lap.

“Dear? Did you hear about Mister Massey next door?” I asked.

She hummed. “They said it was a robbery gone wrong, yes? Poor thing.”

“His son moved in so quickly after his father’s death, don’t you think?” I pondered. As soon as the yellow police tape was removed, the son was quick to move into the lovely estate. How odd. Lady Whiskerdown thought it odd too.

“Miss Finnegan, you are being nosey again,”  The nurse teased, wagging her finger. As Gloria left the room to fetch my afternoon pills, I gripped my walker, hoisting myself up. “Where are you off to now?”

I may be retired, but an old dog like me can sense trouble when it’s around. Like the rain, my bones could sense it. I gave her a sweet, harmless smile. “Only saying hello to the new neighbors. Where’s the harm in that?”


Every breath dedicated to unraveling the most tangled of life’s mysteries.

After hours, school gave me the heebie-jeebies. Once bustling with classmates, the hallways were eerily empty. Flashlights in hand, my pals and I the snuck around. With the janitor’s permission, of course. He wasn’t thrilled about the recent hauntings and kidnappings either. Our sneakers squeaked against the linoleum tiles. A heavy mini backpack strapped to my back, full of everything a good detective needs to catch a ghost. Fishing net included. Scrunchie on my wrist, in case of emergency.

We found locker #66G. I pried open the metal locker with a screwdriver, its contents spilling out on the floor. Let’s see. A stack of overdue homework. A half-eaten cheeseburger. A bag of glow-in-the-dark powder. I gulped. “Guys,” I turned to my gang of cohorts: The mathlete with thick rimmed glasses, the blonde vixen in a cheerleader uniform, the skater with the tie dye shirt, the dog. “I think I found something.”

Above us, the lights flickered. A strained, moaning sound rang through the halls. Suddenly, a specter in white rags with a phantom mask appeared, floating and glowing a ghoulish green. Rattling chains looped around it’s arms.

“It-it-it’s the Grahamsville G-G-Ghost!”

“Yikes!”

“Finley, run!” My friend called out to me. The Grahamsville Ghost hovered towards us.  

Real ghost or not, I wasn’t looking to become the next missing victim. New plan: Run!


I tried experimenting with different tones here, different subgenres of mystery fiction. Sometimes, It’s good to write outside your comfort zone. In the first part, I was aiming for noir vibes, second part was more a cozy mystery and third part was based on Saturday morning cartoons. Let me know what you guys think in the comments. I’m open to feedback.

Happy sleuthing!

Write with heart,

Lady Jabberwocky

3 Terrifying Tips on Scaring Your Readers

Hello Writer Bugs!

In any kind of fictional story, a little bit of terror can go a long way. But how do you strike fear in the hearts of your readers? Have no fear, I’m here to help! Here are three tips on how to scare your audience senseless.


Setting the Mood

A spooky setting can be a total game changer in a horror story. With this literary element, details are key. Paint a horrifying picture for the audience. No, that does not mean you need copious amounts of blood and guts spilled everywhere. Even the most ordinary places can be transformed into a scary environment. Build an atmosphere that unsettles readers, that only enhances the fear factor of the antagonist. Consider what the weather would be like, or how a room is furnished, or the architecture of a building. Once you provided them with vivid descriptions, let the audience’s imagination handle the rest. Not sure where to start in descriptions? When it doubt, the “it was a dark and stormy night” trick never fails in fiction.

See the source image

Solid Characters

In horror – or in any genre, really- you can’t skimp on the characters. The audience isn’t going to care about a damsel-in-distress, Mary Sue who happens to tumble into a haunted basement. And if readers don’t care, they won’t keep reading. And they won’t be afraid when that character is put in danger. Simple as that. However, they might care more about a child running around a creepy hotel. Create complex characters and give them real struggles, flaws and life problems that the audience can identify with. The goal is to make readers care and want to protect the main character. To make them feel like they could be standing in that character’s shoes, facing the same horrors. To have them biting their nails until the very end, just to make sure the character survives the ordeal.

See the source image

Pacing Makes Perfect

Specific phrasing or wording can enhance the scary factor in horror fiction. When you have longer sentences, it slows down the action, thereby torturing readers with the suspense. On the other hand, quick and short sentences can keep readers on their toes and get their hearts racing. Those fast, up-tempo phrasing works best when a character is running away from the monster or is internally spiraling into panic and confusion. If the scene doesn’t feel quite right, try switching up the pacing. This one element can change the entire vibe of a scene.

Last week, I experimented in writing horror. I noticed that using short sentences added to the claustrophobic feeling. I almost made myself panic as I was writing the story. And if it scares the writer, it will most definitely scare the reader.

See the source image


To my fellow writers out there, how do you go about scaring your audience? Also, with Halloween around the corner, what are you dressing up as for Halloween? Talk to me in the comments.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

A Victim At Midnight – (Short Horror Story)

(Trigger warning – Blood, death.)


“Poor kid. Didn’t stand a chance.”

There’s yellow police tape hanging across the doorway. Boot prints stained into the rug. Rain pounds against the windows. Sirens are flashing outside.

“What are you talking about?” I ask the detective. He looks through me, fishing for a cigar in his trench coat pocket instead. An entire department of police officers is surveying my living room. Furniture is toppled over. A discarded butcher knife on the floor. “You all need to leave. The landlord will kill me if….”

“Time of death?” The detective lights the cigar, takes a long drag. He stomps up the stairs, I follow. Feet barely touching the ground, as if I were floating. They don’t see me. None of them do.

“Around midnight,” A rookie cop supplies the answer, peering down at their notepad. “Friends say she insisted on walking home alone last night.”

“With a killer on the loose? Smart.”

Scratch marks on the wall leading to the bedroom. Picture frames with family photos are shattered.

“There’s been a mistake. I’m right here. Listen to me.” I plead with them, standing in their way. The detective passes right through me. “I’m here, I’m alive. I’m…”

A body –my body – is sprawled across the floor. A puddle of red soaks the carpet in the bedroom. Two puncture wounds in my neck. Anemic white skin. Eyes and mouth open, a face frozen in horror. I’m staring at my own corpse.

What happened to me? Think. I don’t remember much of last night. I don’t remember dying. But I remember fangs.

Her fangs.

Her claws.

Her voice.

I can’t breathe. Lungs emptied of oxygen. No pulse, only stillness. My chest is hollow. My skin is translucent rice paper. I begin to cry. Tears fall and I can’t feel them roll down my cheeks. I can’t feel anything. I am a wisp of air. A wandering soul trapped in Hell itself.

“P-Please. You have to help me!” I look the detective dead in the eye. “Please.” The lamp light flickers above us. Thunder rumbles.

“Think it’s the same one that killed the others? That’d be 5 deaths this week.”

The detective pulls a silver cross from around his neck. He nods. “Each one attacked around midnight. Each one drained of blood. Each one with lipstick on their face. It’s her, all right.”

They don’t hear me. I scream anyway. “It can’t end like this. My family, my friends, they need to know I’m okay. Tell them I’m okay.” The light flickers again. A chill enters the room.

“At least this kid put up a fight.” The detective remarks as they drape a sheet over my corpse.

The lights go out.


Hey Writer Bees! This week, I’m playing around with the horror genre. A genre I don’t have much experience writing in. But I do love a good challenge and a good ghost story. Let me know what you think of this short story in the comments. As always, I love to hear from you guys.

Stay safe and stay creative. (And watch out for vampires!)

Write with heart,

Lady Jabberwocky

5 Subgenres of Horror Fiction Explained

Hello Writer Bugs!

Since we are officially in spooky season, I wanted to dedicate a couple posts this month to horror writing. Horror fiction is intended to frighten the audience senseless. A lot of people love a good scare. As a genre, horror can come in a variety of shades of darkness. Today, I’m breaking down the most notable subgenres of horror fiction.


Gothic

See the source image

The gothic horror subgenre is a healthy mix of horror, mystery, death and a little romance. And some would say it’s the true beginning of horror fiction and the jumping off point for other horror subgenres that developed over time. The macabre takes takes center stage in this type of story. Setting plays a key role in gothic horror. The atmosphere must be dark and moody, usually taking place in a castle, religious abbey or haunting estate. The theme of death and love are prevalent in the plot. It’s a dreary, decaying world full of ominous omens and unexplainable events.

Example: The Strange Case of Dr.Jekyll and Mr.Hyde by Robert Louis Stevenson

Monster

See the source image

Let’s do the monster mash. A true classic in horror genre. Typically, the plot centers around a character(s) encountering a creature. Creatures of the night are either the result of scientific experiments, born from fantastical means, or simply urban legends come alive. Iconic monsters including – but not limited to – werewolves, vampires, mummies, zombies etc. An argument could be made the even gigantic monsters like Godzilla would be included in this horror subgenre. Sometimes in the narrative, there are underlying themes of duality, an internal conflict between good and evil. It’s an interesting battle to explore within characters. Is the monster really a monster at all?

Example: Dracula by Bram Stoker

Paranormal

See the source image

In the paranormal subgenre, it’s all about the fear of the unknown. Evil spirits, wicked witches and demonic entities wreck havoc and chaos in the lives of mere mortals. Ghosts, demons and haunted houses tend to fall under this category. Exorcisms – whether the holy kind or the high-tech ghostbuster kind – occur in paranormal horror. Similar to the Monster horror subgenre, antagonists can have supernatural abilities and there’s usually a struggle between good and evil. However, paranormal creatures are derived from mythical, other-worldly origins. And let’s be honest, the things that go bump in the night are often what scares us the most.

Example: The Haunting of Hill House by Shirley Jackson

Killer

A killer is on the loose! For this horror subgenre, the story focuses on a central killer. The main antagonist can be a supernatural entity or a natural born psycho. Whatever their reason, the killer’s sole mission is to annihilate anyone and everyone they deem a target. With elements of a thriller and/or crime plotline blended in, building suspense is crucial in this kind of story. You want the reader to feel like the killer is breathing down their necks and lurking around every corner. Will the killer be brought to justice in the end? That’s entirely up to the writer. In horror, no one is promised a happy ending.

Example: American Psycho by Bret Easton Ellis

Psychological

See the source image

Send readers into a living nightmare. Throw rationality out the door and turn the mundane into something terrifying. Characters in psychological horror have either fallen into madness or are trapped in extraordinary situations. Surreal imagery or bizarre visions experienced by the protagonist only add to the insanity. For this horror subgenre, the narrative would benefit from a tight viewpoint, not a multi-narrator piece. A single character’s internal conflict can be just as compelling than an external conflict, if written well. Phobias, paranoia and one’s deepest fears are explored in this type of plot. In psychological horror, there’s not overarching monster or antagonist, the real monster is the human mind itself.

Example: The Shining by Stephen King


Personally, I’m not a fan of excessive gore. However, as a mystery writer, I sometimes must describe a corpse or a crime scene, for the sake of the fictional investigation. A little bit of horror can go a long way in any genre.

What’s your favorite subgenre of horror fiction? And if you are a horror writer yourself, how would you categorize your story? Talk to me in the comments. As always, I love hearing from you.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

Follow Me on Twitter

(As an Amazon Associate I earn from qualifying purchases.)