A Victim At Midnight – (Short Horror Story)

“Poor kid. Didn’t stand a chance.”

There’s yellow police tape hanging across the doorway. Boot prints stained into the rug. Rain pounds against the windows. Sirens are flashing outside.

“What are you talking about?” I ask the detective. He looks through me, fishing for a cigar in his trench coat pocket instead. An entire department of police officers is surveying my living room. Furniture is toppled over. A discarded butcher knife on the floor. “You all need to leave. The landlord will kill me if….”

“Time of death?” The detective lights the cigar, takes a long drag. He stomps up the stairs, I follow. Feet barely touching the ground, as if I were floating. They don’t see me. None of them do.

“Around midnight,” A rookie cop supplies the answer, peering down at their notepad. “Friends say she insisted on walking home alone last night.”

“With a killer on the loose? Smart.”

Scratch marks on the wall leading to the bedroom. Picture frames with family photos are shattered.

“There’s been a mistake. I’m right here. Listen to me.” I plead with them, standing in their way. The detective passes right through me. “I’m here, I’m alive. I’m…”

A body –my body – is sprawled across the floor. A puddle of red soaks the carpet in the bedroom. Two puncture wounds in my neck. Anemic white skin. Eyes and mouth open, a face frozen in horror. I’m staring at my own corpse.

What happened to me? Think. I don’t remember much of last night. I don’t remember dying. But I remember fangs.

Her fangs.

Her claws.

Her voice.

I can’t breathe. Lungs emptied of oxygen. No pulse, only stillness. My chest is hollow. My skin is translucent rice paper. I begin to cry. Tears fall and I can’t feel them roll down my cheeks. I can’t feel anything. I am a wisp of air. A wandering soul trapped in Hell itself.

“P-Please. You have to help me!” I look the detective dead in the eye. “Please.” The lamp light flickers above us. Thunder rumbles.

“Think it’s the same one that killed the others? That’d be 5 deaths this week.”

The detective pulls a silver cross from around his neck. He nods. “Each one attacked around midnight. Each one drained of blood. Each one with lipstick on their face. It’s her, all right.”

They don’t hear me. I scream anyway. “It can’t end like this. My family, my friends, they need to know I’m okay. Tell them I’m okay.” The light flickers again. A chill enters the room.

“At least this kid put up a fight.” The detective remarks as they drape a sheet over my corpse.

The lights go out.


Hey Writer Bees! This week, I’m playing around with the horror genre. A genre I don’t have much experience writing in. But I do love a good challenge and a good ghost story. Let me know what you think of this short story in the comments. As always, I love to hear from you guys.

Stay safe and stay creative. (And watch out for vampires!)

Write with heart,

Lady Jabberwocky

5 Subgenres of Horror Fiction Explained

Hello Writer Bugs!

Since we are officially in spooky season, I wanted to dedicate a couple posts this month to horror writing. Horror fiction is intended to frighten the audience senseless. A lot of people love a good scare. As a genre, horror can come in a variety of shades of darkness. Today, I’m breaking down the most notable subgenres of horror fiction.


Gothic

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The gothic horror subgenre is a healthy mix of horror, mystery, death and a little romance. And some would say it’s the true beginning of horror fiction and the jumping off point for other horror subgenres that developed over time. The macabre takes takes center stage in this type of story. Setting plays a key role in gothic horror. The atmosphere must be dark and moody, usually taking place in a castle, religious abbey or haunting estate. The theme of death and love are prevalent in the plot. It’s a dreary, decaying world full of ominous omens and unexplainable events.

Example: The Strange Case of Dr.Jekyll and Mr.Hyde by Robert Louis Stevenson

Monster

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Let’s do the monster mash. A true classic in horror genre. Typically, the plot centers around a character(s) encountering a creature. Creatures of the night are either the result of scientific experiments, born from fantastical means, or simply urban legends come alive. Iconic monsters including – but not limited to – werewolves, vampires, mummies, zombies etc. An argument could be made the even gigantic monsters like Godzilla would be included in this horror subgenre. Sometimes in the narrative, there are underlying themes of duality, an internal conflict between good and evil. It’s an interesting battle to explore within characters. Is the monster really a monster at all?

Example: Dracula by Bram Stoker

Paranormal

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In the paranormal subgenre, it’s all about the fear of the unknown. Evil spirits, wicked witches and demonic entities wreck havoc and chaos in the lives of mere mortals. Ghosts, demons and haunted houses tend to fall under this category. Exorcisms – whether the holy kind or the high-tech ghostbuster kind – occur in paranormal horror. Similar to the Monster horror subgenre, antagonists can have supernatural abilities and there’s usually a struggle between good and evil. However, paranormal creatures are derived from mythical, other-worldly origins. And let’s be honest, the things that go bump in the night are often what scares us the most.

Example: The Haunting of Hill House by Shirley Jackson

Killer

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A killer is on the loose! For this horror subgenre, the story focuses on a central killer. The main antagonist can be a supernatural entity or a natural born psycho. Whatever their reason, the killer’s sole mission is to annihilate anyone and everyone they deem a target. With elements of a thriller and/or crime plotline blended in, building suspense is crucial in this kind of story. You want the reader to feel like the killer is breathing down their necks and lurking around every corner. Will the killer be brought to justice in the end? That’s entirely up to the writer. In horror, no one is promised a happy ending.

Example: American Psycho by Bret Easton Ellis

Psychological

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Send readers into a living nightmare. Throw rationality out the door and turn the mundane into something terrifying. Characters in psychological horror have either fallen into madness or are trapped in extraordinary situations. Surreal imagery or bizarre visions experienced by the protagonist only add to the insanity. For this horror subgenre, the narrative would benefit from a tight viewpoint, not a multi-narrator piece. A single character’s internal conflict can be just as compelling than an external conflict, if written well. Phobias, paranoia and one’s deepest fears are explored in this type of plot. In psychological horror, there’s not overarching monster or antagonist, the real monster is the human mind itself.

Example: The Shining by Stephen King


Personally, I’m not a fan of excessive gore. However, as a mystery writer, I sometimes must describe a corpse or a crime scene, for the sake of the fictional investigation. A little bit of horror can go a long way in any genre.

What’s your favorite subgenre of horror fiction? And if you are a horror writer yourself, how would you categorize your story? Talk to me in the comments. As always, I love hearing from you.

Stay safe and stay creative.

Write with Heart,

Lady Jabberwocky

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