Tag Archives: point of view

Main Character Name Reveal (And Staying Positive)

Hello Writer Bugs!

It was been a rough week for me. Job hunting is difficult. Rejection is disheartening. I’m working on staying positive and strong, and learning how to keep my head above water in tough times. Shout out to my amazing boyfriend for keeping me afloat when I was drowning. I don’t know where I’d be without his unwavering love and support.

On the plus side, I think my main character for my WIP finally has a new name. For those of you who have been following my journey as a fiction writer, you’ll know that I’ve been wanting to change the name of my main character, after 5 years. Since this is a small milestone for me, and a brighter point in my week, I thought I’d share with you guys.

Drumroll please, writer bees! My detective’s new name is…

Graham Ward Barnaby or Private Detective G.W. Barnaby

This may not seem like a big deal to most of you, but to me, this is a well needed change. Personally, I put a lot of thought into character names. They have to look and sound like a given name found in the real world (in the right time period). Now, his name is still subject to change but for now, I think this name suits him well (both as a full name and as initials). I’m happy with the next chapter in my beloved character’s evolution. And who knows? You might see Detective Barnaby is another project of mine. Wink wink.

Thank you guys for always being so sweet and supportive of this little ol’ blog. It means more to me than words can express. You writer bugs keep me going, and keep me writing.

What do you think of his new name? Have you ever made a major change to your main character? Talk to me in the comments, I’d love to hear from you!

Write with Heart,

Lady Jabberwocky

5 Types of Narrators in Story Writing – Breaking Down the Basics

Hello Writer Bugs!

Today, we are going back to basics in story writing. What point of view is best for your WIP? Let’s break down the different kinds of narrators in a story.

(Psst! Don’t forget to check out that Patreon page! Keep this party going! )

First Person Narrator

Pronouns: I, my, me.

Example: The Narrator from Moby Dick. ” Call me Ishmael.”

First Person is a very personal perspective. The reader has a front row seat to this character’s feelings, thoughts and experience in the world. This can be either a main character or a distant observer. By using the first person narrative, it puts a limit to what the narrator, and the reader, knows and doesn’t know. This kind of narrator cannot know

Second Person Narrator

Pronouns: You, Your.

A Second Person Narrator talks directly to the audience, enveloping the reader into the story itself. Think of it like playing a choose your own adventure game, where the reader is a character. “You do this, you see that.” This one is quite rare in fiction; It’s more for technical writing. It’s difficult to perfect, but not impossible, so don’t be discouraged to experiment with this style.

Example: If I’m remembering correctly, Night Circus by Erin Morgenstern has some chapters using second person that are utterly enchanting.

Third Person Narrator (Limited)

Pronouns: He, she, they.

Another popular option that gives the writer more freedom to move around, follow multiple characters and explore multiple rooms of the house, so to speak. Usually, the third person narrator isn’t an actual character at all. It’s a more objective viewpoint, which can lead to a lack of connection with the reader. The audience is privy to more information about the plot, information the main characters may not even be aware of, but not the characters personal thoughts and feelings.

Omniscient Narrator

Usually third person. Uses ‘he, she, they’ pronouns.

With this one, the narrator knows everything, from feelings to inner thoughts. Imagine an all knowing, all seeing God-like being looking down at the world and relaying the story to the reader. Some can argue that it’s the author themselves telling the story. I’ll let you be the judge.

Unreliable Narrator

Usually first person, usually undependable.

Some narrators just can’t be trusted, can they? The viewpoint of this narrator is very biased, clouded by their own, possibly flawed judgement. Other characters in the story may not be described accurately because of the narrator’s own perception. Certain events can be skewed. Even the narrator himself could be not what he appears to be

Example: Check out the narrator from The Murder of Roger Ackroyd by Agatha Christie. He may know more about the murder than he is letting on. Wink wink.

Choose Your Narrator Wisely

Really take the time to think about whom the narrator will be and how well they can tell your/their story. It’s important for the reader to really connect and be engaged with the character or viewpoint chosen. Think of it like this, the narrator is the reader’s vehicle as they ride the rollercoaster that is your story. That makes sense right?

If you are struggling to decide which narrative you want to use, try multiple styles. No harm in experimenting. It’s like reading an essay for school out loud before handing it in. You’ll know what fits your story best when you read it.

Write with Heart,

Lady Jabberwocky

The Brawn Man of Brooklyn (A Short Story)

They called it an extraordinary phenomenon.

A regular Hercules, Dr.Robinowitz on 3rd street claimed. Their son, Frank, was born with the capabilities of lifting objects 100 times heavier than his body weight. Super strength, the kids would say. His mother said Hail Mary in Italian ten times a day and cried, as if he son was some kind of devil. She constantly scolded him out of fear of his destructiveness. “Don’t touch that!” and “Don’t touch anything!” or “Don’t you dare touch the baby!”

He was a toddler. And his strength was something unexplainable, something that should remain a secret. If he pressed his hand into wall too hard, the wall would crack. Toys, if not handled gently, would be crushed or broken into pieces. Even the metal handle of his bicycle would be indented by his fingertips. He couldn’t control this, even as he got older, his power grew more dangerous. On the kindergarten playground, he pushed a kid out of the sandbox and cracked his rib. When he was seven years old, he threw a baseball and it landed three blocks away and through a car windshield.

He couldn’t touch anything. He wasn’t safe.

Frank would hold his small hands and peek into his sister Camilla’s crib when she was an infant. He was afraid of breaking her too.

His father owned a deli under the train tracks, Berardi’s Deli. Behind it was a dead patch of grass they called a backyard. And above it was a shoe box apartment they called a home. His father wore a filthy apron as he sat on the sidewalk’s edge, smelling like fennel seed and sweat. He smoked a cigarette and watched the kids in the street play. Frank, a small boy with small hands, sat beside him.

“Pops, why can’t I play with them?” The boy said “I promise I’ll be good. I won’t hit so hard. Honest.” He watched as the kids played stick ball.
His father gave him a side glance, taking a long drag and rubbing his stubbled chin. “Last time, you knocked a kid out.”

He looked down at his hands, discouraged “I-I didn’t mean to, Pops, he was….”

“Your mother with have a heart attack if she finds out you hurt someone else with your…” Trailing off, he stood up and stomped his cigarette out. The few remaining embers in the curb fizzled into the cement. “Don’t let nobody see you doing that. You hear me?” He warned. Frank’s eyes wandered to the window to the apartment above the deli, where his mother, with tired eyes, looked out.


“I don’t know if it’s a good idea, Camilla.” He said, looking down at his feet as they walked home from high school one crisp autumn afternoon. His black hair fell into a perfect greased curl.

“Sure it is,” His sister grinned, holding her biology textbook in her arms. “You love baseball.”

“Watchin’ baseball, sure. Not playin’ it,” He shrugged, still unsure “Pop’s will be mad. And Ma’s gonna be in hysterics if she finds out.”

She nudged him with her elbow. Her long wool skirt matched her mint green sweater. “Come on, don’t worry about that stuff, Frankie, you’d be amazing and you know it.”

Frank sighed, shoving his hands in his Letterman jacket. A chill blew between them. A police siren blared in the distance. The sun was setting, burning orange and gold.

“What if I hurt someone?”

“What if you only hit home runs?”

“I’m serious, Camilla,” He grabbed her arm lightly, as if he was holding a feather. They stood on the street corner across from their family’s deli. “I can’t control this. Someone’s gonna get hurt.”

“You can control it. You don’t have to be scared. You’re strong… super strong, but it doesn’t have to be a bad thing. You can do something good with it.” The sirens grew louder.

As they crossed the street, a car screeched around the corner, being tailed by red and blue flashing lights. A police chase. Frank was in the middle of the street, frozen for a moment. Camilla screamed, pulling at his hand. “Frankie, move!” He wouldn’t budge. He didn’t want to be scared anymore. The car was barreling towards him. He pushed his sister out of the way, and braced for impact, with an arched back and outstretched arms.

The car slammed into Frank, metal crushed against his chest, pushing him back a couple of feet. His sneakers skid against the pavement. The vehicle was stopped completely, with three bewildered robbers wearing ski masks sitting inside. The headline in the newspaper the next day dubbed him “The Brawn Man of Brooklyn”.