Tag Archives: Writing

Rainy Day Editor’s Block

On this rainy and muggish day, I am plagued with Editor’s block. A similar ailment to Writer’s block. I’m working on these old stories of mine for some literary magazines I’ve been interested in submitting work to. I’m trying to make serious changes to them. Like the big kind of edits. For one story, I’m thinking of changing things like the central conflict as well as reworking characterization for most of the characters. The really integral nuts and bolts of the story. Ugh. This is where the Editor’s block comes in. It’s that slightly overwhelming and daunting feeling of “I don’t even know where to start”. It can be a stressful task.

 
So I took a break.
For both Editor’s and Writer’s block, taking a break can actually be very helpful. Just stopping for a while, walking away from the project, and collecting your thoughts is sometimes the best thing for the creative process. So that’s what I did. I took a break, had a Matzo Ball soup (courtesy of the local diner) and got comfortable (courtesy of cozy sweatpants). Pausing for a moment helped organized my ideas and really made be focus on the things that need to be focused on in my work.

 
Hopeful I write something good enough to get published this time.

 
Write with heart,
Lady Jabberwocky

Writing The Hero and The Villain

As I am writing this post, I am watching my boyfriend, Michael, play a tabletop game called Warhammer. From my understanding, it’s like Dungeons and Dragons.
Watching this miniature war unfold, It’s got me thinking about heroes and villains and the importance of a good conflict. I have this pet peeve of protagonist being perfect and over powered and overcoming obstacles with little effort, very convenient. Then you’ve got villains who are evil for no reason other than the fact that they are completely rotten to the core. Literally cringing while writing these pet peeves right now.
Real characters, like actual human beings, aren’t so black and white.
Let’s start with protagonists. Here are some key things to keep in mind when constructing a hero.

  • Goal: What is the hero’s motivation? Why are they doing what they are doing? Having a purpose gives your character, and the over all plot, a direction. Also it throws fuel onto the conflict fire (if that makes sense).
  • Be Real: Being realistic means having flaws. Don’t make your character too cookie cutter perfect. Readers relate to imperfections. We want to read stories with characters who have positive and negative traits, who face obstacles with some struggle.
  • Growth: Over the course of a story arch, the character at the beginning of the must be different in some way to the same character at the end. Think of us, as people. We grow, we evolve, we change, and we learn things. Fictional characters must do the same.

There’s been a “tragic” dice roll.
I suppose that’s a good enough transition to writing antagonists.

 

  • Goal: Like your protagonist, the antagonist needs solid motivation. Have them act with purpose, not just because their evil. If your villain wants to destroy a city, it shouldn’t be because they just want to ruin someone’s day.
  • Be Real: Even an antagonist can have positive traits. No one can be completely bad. As I said before, things aren’t simply black and white. However, your antagonist should have an intimidating presence, to the hero and the audience. There are some villains we just love to hate.
  • Integrity: Put up a worthy adversary against your hero. The villain should put up a fight and carry out every threat made. When Darth Vader said he was going to blow up a planet, he blew up a planet. If at the end of the story, the antagonist loses and cries “Curses! Foiled again!” then just melts into a wimpy puddle, you may want to reevaluate things.

And here’s a question; does the hero have to win every battle?
Take note of some of your favorite hero and villain characters and really think about what makes them great.
Write with heart,
Lady Jabberwocky.

hemingway quote

Putting things into perspective

One of the first things you must decide before writing a story is how the story will be told. What point of view is best for the story you want to tell? To me, there are three main narratives, first person, second person and third person. Other, more specific styles of narration are derived from these three forms.

First Person

Pronouns: I, my, me.

The reader gets to walk in the shoes of the narrator as the story unfolds. This means the reader has front row seats to this character’s feelings and thoughts and also how the narrator sees the world and other characters. It’s a very personal kind of perspective. However, by using the first person narrative, it puts a limit to what the narrator, and by extension, the reader, learns and experiences.

Second Person

Pronouns: You, Your.

This one is quite rare in fiction; It’s more for technical writing. “You do this, you see that.” It’s difficult to perfect, but not impossible, so don’t be discouraged to experiment with this style. Second person is like playing a choose your own adventure game, where the reader is a character.

Third Person

Pronouns: He, she, they.

Another popular option that gives the writer more freedom to move around, follow multiple characters and explore multiple rooms of the house, so to speak. It’s a more objective viewpoint, which can lead to a lack of connection with the reader. The audience is privy to more information about the plot, information the main characters may not even be aware of, but not the characters personal thoughts and feelings.

Omniscient Narrator

Usually third person

Now we’re getting into more specific stuff. With this one, the narrator knows everything, from feelings to inner thoughts. Think of it like a God like being looking down at the world and relaying the story. Some can argue that it’s the author themselves telling the story.

Unreliable Narrator

Usually first person

Some narrators just can’t be trusted. The viewpoint of this narrator is very biased. Other characters may not be described accurately because of the narrators own perspective. Certain events can be skewed. Even the narrator himself could be not what he appears to be (Check out the narrator from The Murder of Roger Ackroyd by Agatha Christie).

Really take the time to think about whom the narrator will be and how well they can tell your/their story. It’s important for the reader to really connect and be engaged with the character or viewpoint chosen. If you are struggling to decide which narrative you want to use, try multiple styles. It’s like reading an essay for school out loud before handing it in. You’ll know what fits your story best when you read it.

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